My digital artwork extends and restructures compositional elements, images, and allusions from my drapery paintings that in turn invoke and reinvent Renaissance canonical painting. The geometric understructure in Renaissance paintings is the precursor of algorithmic construction in digital images. Drapery images in Renaissance paintings are the fluid compositional elements that shift through the geometric understructure. The folds of a garment can be pushed, pulled, and gathered to fit into a composition so that the viewer’s eye will move from one section of the painting to another. In some sense, drapery is the one recognizable piece of subject matter that remains completely abstract. It is in a state of transformation or becoming. In Renaissance painting cloth can mysteriously move and float through the fabric of space and time.